I Am Not Your Negro & So Much More

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“The film does several things. First, it makes sure Baldwin will never be forgotten. That is a victory, because people have started to push him aside. The film will circulate, and it will only bring people back to his books.That was the idea: to make sure his legacy will continue.” As both film and book, I Am Not Your Negro will undoubtedly bring many to a great American writer.

Hideo Yokoyama is one of Japan’s most popular crime novelists. Yet he regards the crime as the least interesting part of the stories he tells.” Here’s the author of Six Four.

“I have no illusions about what the impact of my withdrawal will be,” writes crime novelist Linwood Barclay (The Twenty-Three). “I don’t imagine Steve Bannon will say, ‘Whoa, Barclay’s not coming, we better rethink this.’ As one Twitter follower said to me, ‘Your call, but we’ll get along fine without you.’ I’ve no doubt. But this really wasn’t about trying to send a message. I just have to be able to look myself in the mirror.”

Quirky.

The story of the close yet volatile friendship between John Dos Passos and Ernest Hemingway.” Here’s a review of James McGrath Morris’s The Ambulance Drivers.

Says Paul Auster (4 3 2 1): “We think our institutions are very solid, but not necessarily, and you keep attacking them, then suddenly the foundations are going to collapse, and then we’re in for real trouble. I don’t want to go on and on about Trump and his cabinet appointments, but pretty much everyone he’s picked so far is someone who has made a career out of trying to dismantle the very agency he’s supposed to lead. So, we’re in for a very weird, weird time. The Environmental Protection Agency is there to protect the environment and if the person in charge of it doesn’t believe in it, then how can he be the head of it? This is the absurd impasse we’ve come to now, where somehow it seems legitimate to millions of people in the country to take apart everything we’ve tried to build up all these years. And for what?”

“The insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain sporting makeup and coloured hair.” Salman Rushdie‘s forthcoming novel.

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