“The film does several things. First, it makes sure Baldwin will never be forgotten. That is a victory, because people have started to push him aside. The film will circulate, and it will only bring people back to his books.That was the idea: to make sure his legacy will continue.” As both film and book, I Am Not Your Negro will undoubtedly bring many to a great American writer.
“Hideo Yokoyama is one of Japan’s most popular crime novelists. Yet he regards the crime as the least interesting part of the stories he tells.” Here’s the author of Six Four.
“I have no illusions about what the impact of my withdrawal will be,” writes crime novelist Linwood Barclay (The Twenty-Three). “I don’t imagine Steve Bannon will say, ‘Whoa, Barclay’s not coming, we better rethink this.’ As one Twitter follower said to me, ‘Your call, but we’ll get along fine without you.’ I’ve no doubt. But this really wasn’t about trying to send a message. I just have to be able to look myself in the mirror.”
“The story of the close yet volatile friendship between John Dos Passos and Ernest Hemingway.” Here’s a review of James McGrath Morris’s The Ambulance Drivers.
Says Paul Auster (4 3 2 1): “We think our institutions are very solid, but not necessarily, and you keep attacking them, then suddenly the foundations are going to collapse, and then we’re in for real trouble. I don’t want to go on and on about Trump and his cabinet appointments, but pretty much everyone he’s picked so far is someone who has made a career out of trying to dismantle the very agency he’s supposed to lead. So, we’re in for a very weird, weird time. The Environmental Protection Agency is there to protect the environment and if the person in charge of it doesn’t believe in it, then how can he be the head of it? This is the absurd impasse we’ve come to now, where somehow it seems legitimate to millions of people in the country to take apart everything we’ve tried to build up all these years. And for what?”
“The insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain sporting makeup and coloured hair.” Salman Rushdie‘s forthcoming novel.
“November of last year launched America into one of the most terrifying eras in its history. Take a look around you. See the stark tone shift in journalism, the edginess introduced in the voice of artists, and the genuine fear in immigrant families, gay and lesbian and trans people, and basically anyone non-white. It turns out that it can happen here.” Here’s the story on a new magazine that gives voice to the resistance: Scoundrel Time.
Writes Jonathan Lethem: “It’s my best of the year, but you can’t read it yet: Steve Erickson’s jaw-dropping next novel, Shadowbahn, which concerns the phantasmic reappearance of the Twin Towers in the Badlands of South Dakota, accompanied by the resurrection of Elvis Presley’s twin brother Jesse.”
“The boy crawling directly in front of the 14-year-old [Paul] Auster was under the fence when lightning struck, killing the young adolescent. ‘His shoe was in front of my face,’ Auster remembers. ‘I’ve been haunted by that moment all of my life. The fragility of life was made real to me that day. My work and this novel have been inspired by it. And a writer who creates other selves in his or her work must love them in order to honor them, even when, especially when, they must die. Only through this love can the writer feel the awe and horror of death.’” Here’s the story behind Auster’s 4 3 2 1.
“With rare immediacy, [Timothy B.] Tyson revisits the 1955 lynching of Emmett Till in Mississippi and the acquittal of those responsible in a gripping account of the cultural milieu of a racist environment.” Here’s a review of The Blood of Emmett Till.
“A slim but powerful volume, an account of the brief and terrible life of Louis (Saint) Till, the largely forgotten father of Emmett Till, the Chicago boy whose horrific lynching in Mississippi in 1955 shamed the nation.” Here’s a profile of John Edgar Wideman, author of Writing to Save a Life.
“More than simply a collection of cartoons, The Realist Cartoons is an instruction manual for those wishing to learn how to speak bravely and frankly about race, sex, war, peace, abortion, doomsday, environmentalism, free speech, civil rights, homosexuality, human rights, human wrongs, love, hate and obscenity—to learn, that is, by exquisite example.”
“As outlaw tales go, Andrew Hilleman’s debut novel, World, Chase Me Down (Penguin) ranks alongside the likes of Jesse James, Butch Cassidy, and Billy the Kid.”
“’I’m just a writer. I don’t have access to magical Negro wisdom that white people don’t have access to. Everything is now political. We have the responsibility to make the political personal.’” Here’s Roxane Gay.
Howard Jacobson (Pussy): “’I wanted to get over Trump’s moral bankruptcy but also the sheer bankruptcy of a culture that could produce him.’ In particular, he wanted to convey the damage done to political discourse by the social networking site Twitter, which Trump has used to bypass traditional media.”
“A timely work on the vociferous sides taken over the Spanish-American War of 1898—and how that history relates to the ongoing debate regarding American imperialism.” Here’s a review of The True Flag.
“The sugar industry and its defenders argue that the evidence is ambiguous; therefore we should continue to believe that sugar is no more than empty calories at the very worst. What I would like them to do is suggest tests that could exonerate sugar, if it’s really harmless. It’s not enough just to say the evidence is ambiguous. And I think the industry now has an obligation to fund those tests.” Here’s Gary Taubes (The Case Against Sugar).
“How the engagement by a group of Transcendentalists with Darwin’s newly published On the Origin of Species deepened their commitment to the antislavery movement.” Here’s a review of The Book That Changed America: How Darwin’s Theory of Evolution Ignited a Nation.
“I don’t know what you do with a president who tweets? What do you with it in the media? Do you tweet back? I mean, shit…it is really scary. It’s to where — who knows or who cares what the truth is, is the point. And we will maybe not care until we find ourselves impoverished or in jail or conscripted. I mean, I don’t know how many times you got to get poked in the stomach before you get it.” Here’s Lewis H. Lapham (Age of Folly: America Abandons Democracy)
“In her new collection of short stories, Ottessa Moshfegh reverses our modern expectations of genre by connecting the estranged ethos of the existentialists with the horror of ordinary life in our time. Homesick for Another World is a compendium of 14 compulsive little tales, each powered by the sense of distance implied in the book’s title.”
“How wonderful it is that Rumi, the 13th-century Muslim versifier, has become the best-selling poet in the United States! He might enjoy knowing that Trump’s America is snapping up translations of his homoerotically tinged work even as the country toys with banning Muslims and rolling back gay rights.” Here’s a review of Rumi’s Secret.
“All crime fiction boils down to ‘Why do we keep doing these terrible things? Why do human beings keep doing these terrible things to each other?’” Here’s Ian Rankin (Rather Be the Devil).
For middle school readers! “A young man spends his summer being shut out of basketball games and learns a valuable lesson about persistence. Choctaw storytelling traditions keep a family in stitches, in between eye rolls. A girl’s anger when her father allows an injustice to stand shifts as she realizes he’s gently changing the world on her behalf. These stories and more fill Flying Lessons & Other Stories, and each unique journey reinforces the notion that diversity in publishing is not just welcome but vital.”
“He very much wanted to tell his entire story. I worked on the book at different times. For 10 years. The book Barney envisioned was nothing like it is.” The story behind Barney Rosset’s memoir, My Life in Publishing and How I Fought Censorship.
On Signals: New and Selected Stories: “[Tim] Gautreaux channels Flannery O’Connor with a soupçon of Elmore Leonard in this collection of stories, many set in Louisiana, most featuring people of Cajun descent sliding down the socioeconomic scale, chasing dreams in a last-ditch effort to escape the nightmare of defeat.”
“He’s remembered today for his short stories, but, throughout his writing career from 1907 until shortly before his death in 1933 at the age of 48, [Ring] Lardner was a journalist whose work, often syndicated throughout the nation, attracted a huge audience. His output, too, was huge. For instance, during his career with the Chicago Tribune, he wrote more than 1,600 columns and other stories, most often about sports but also such other topics as politics, Prohibition and World War I.” Here’s a review of The Lost Journalism of Ring Lardner.
“[Gary] Taubes. . . argues that sugars are bad in and of themselves, that they have ‘a unique physiological, metabolic and endocrinological (hormonal) effect on our bodies.’ Sugars are what an evolutionary biologist might call the environmental or dietary switch that triggers a genetic predisposition to obesity and turn an otherwise healthy diet into a harmful one. They are, says Taubes, the most likely triggers of ‘insulin resistance,’ the condition that leads to obesity, diabetes and a number of other diseases, from gout and varicose veins to irritable bowel syndrome and asthma.” Here’s a review of The Case Against Sugar.
On A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life: “Novelist and essayist [Ayelet] Waldman (Bad Mother)—mother of four, married to another high-profile writer (Michael Chabon)—worked as a federal public defender and taught at prestigious law schools. After struggling with mood swings and bouts of depression, Waldman becomes a ‘self-study psychedelic researcher,’ taking small doses of LSD on repeating three-day cycles and discovers plenty to exonerate the illicit substance.”
“They are called ‘this generation’s Agent Orange’ — the open fire pits operated on over 230 U.S. military bases across Iraq and Afghanistan during our wars there. Every kind of waste — plastics; batteries; old ordnance; asbestos; pesticide containers; tires; biomedical, chemical and nuclear waste; dead animals; human feces; body parts; and corpses — was incinerated in them.” Here’s a review of The Burn Pits: The Poisoning of America’s Soldiers.
“How did Italian Americans end up identifying themselves, and being identified, with such conservative values and reactionary political forces? Why did their political consciousness diverge so markedly from their Italian counterparts?” Here’s a review of The Lost World of Italian-American Radicalism: Politics, Labor, and Culture.
Sunday was Carl’s day off. In the morning all the church bells, Protestant and Catholic, rang out across Zurich and families put on their Sunday best to attend the services, prayer books in hand, little girls with hair done up Hedi-style, boys in matelot suits. Not the Jungs, however. Carl had vowed never to set foot in a church again, other than on unavoidable occasions such as his own wedding, and he was determined not to have any of his children confirmed, remembering the debilitating boredom and depression which overcame him during the instruction given him by his father, who was all the while denying his own religious doubts, battling with his unnamed torments.
-Catrine Clay, Labyrinths: Emma Jung, Her Marriage to Carl, and the Early Years of Psychoanalysis
The life of The Stranger has gone well beyond [Albert] Camus’s own life, cut abruptly short by an auto accident in 1960, when he was only forty-six. It shows no signs of dying: seventy-four years after its first publication, and over a century after Camus’s birth, over 10.3 million copies of The Stranger have been sold in France alone. As long as people keep reading novels, The Stranger will live on: that’s more of a guarantee of an afterlife than any author, and most books, can hope for.
-Alice Kaplan, Looking for The Stranger: Albert Camus and the Life of a Literary Classic
“’Ninety percent of everything he ever told me about his life, I heard during its final ten days,’ [Michael] Chabon writes of his grandfather, a pool hustler, engineer, and maker of meticulous models for NASA whose early years as a piano mover quite literally made him larger than life. The chapters set in World War II form the heart of the novel as the skystruck young member of the Army Corps of Engineers gradually realizes his hero, von Braun, is complicit in heinous crimes against humanity.” Here’s a review of Moonglow.
“A voraciously readable, extremely exciting, and eminently sensible book.” Here’s Whiplash.
“A biography of two gifted Israeli psychologists, Amos Tversky and Daniel Kahneman, fused with a primer on the field of cognitive and mathematical psychology.” Here’s a review of The Undoing Project.
The godfather of Chicano literature. Here’s Rudolfo Anaya.